Okay, now we're screwed...
![The horror. The distant horror [Twins in The Shining]](/images/stories/topten/distanthorror/Images_Of_Distant_Horror.jpg "The horror. The distant horror [Twins in The Shining]")
There's something particularly chilling about the Terror That Is Not Upon Us Yet. In the space between normal life and the kind of adrenalin rush that would get even roadkill motivated, comes the moment of decision, when we have to ponder the matter How bad is this...?
It's bad. It's bad...
10: When Worlds Collide (1951)
A friend of mine once confided that his personal nightmare (many years before 9/11) was to look up from his garden and see a 747 heading straight for him, just falling out of the sky. Such a case is bad news for you and your town, to be sure, but not as bad as looking up and seeing a planet headed straight for your own planet. It may not be a personal nemesis, but you can bet your last cent that it's going to be real thorough.
9: The Grudge (2004)
There are plenty of moments of 'distant horror' in Takashi Shimizu's icily effective remake of his own Ju-On, including Yuya Ozeki's multiple presence outside a rising elevator and Takako Fuji manifesting at the far end of a corridor seen on a security monitor. Yet my blood runs coldest when Sarah Michelle Gellar discovers that nearly every photo in dead professor Bill Pullman's photo album is infested with background shots of his No.1 fan.
8: Duel (1971)
I do wonder if stalking truck drivers were quite as common before Richard Matheson's chilling tale of homicidal road-rage launched Steven Spielberg's career in 1971. It's certainly happened to me, only without the wrecked phone boxes or the climactic explosion over the cliff. You wouldn't think something as large as a 1955 Peterbilt 281 articulated truck could sneak up on you like Dracula quite as many times as it succeeds in doing in Duel; on the other hand, you probably wouldn't win the argument even if you knew it was coming.
7: Return Of The Living Dead (1986)
Witness a nuclear explosion any closer than through 2000x binoculars (in a plane flying at full speed in the other direction), and you can be pretty sure your day is taking a turn for the worst. You clearly survived the initial flash, but even if you survive the blast radius sweeping under your feet, things are going to get toxic very quickly. The late Dan O'Bannon brought us this common pre-glasnost nightmare at the end of his zombie-romp, and to make matters worse, this mushroom cloud is only going to end up creating even more unkillable zombies.
6: Night Of The Demon (1951)
This is the 'guided missile' version of #10. This forty-foot demon has your name on it, because you couldn't get anyone else to accept the cursed runic symbols that some evil professor slipped you. In terms of persistence and mission-effectiveness, the diabolical assassin in Jacques Tourneur's classic M.R. James chiller makes the Terminator look like a street-leafleter. Like the nasties in Grudge-land, this supernatural horror is unusual as it will kill the innocent as happily as the guilty, so long as they have the requisite ticket.
5: Dawn Of The Dead (1979)
Even in a world largely populated by the flesh-eating refugees of Satan, the advent of an invasion by real Hell's Angels is still the most horrifying prospect in George Romero's classic sequel. Just when our heroes are holed up and settling down to a lightly besieged existence, Tom Savini and his anarchic band decide that there's not enough sharing going on. These guys are so hard, they think zombies are hilarious.
4: The Innocents (1961)
Clytie Jessop plays the revenant spirit haunting the children on the estate where she worked when alive, standing unmoving among the reed bushes. The horrifying thing about this ghost is how motionless it is. You could eat a picnic for a half-hour and then look up to find this grim spectre had been looking at you all along - and in broad daylight too. Brrrr. Jessop repeated her stock-still performance as the symbolic statue 'Atropos' in the portmanteau horror Torture Garden in 1967.
3: An American Werewolf In London (1981)
Like the London underground isn't unpleasant, dangerous or intimidating enough without all the damned werewolves. Makeup wizard Rick Baker's 'trolley wolf' only makes a couple of appearances in John Landis's hit horror-comedy, and this long shot is by far the most effective of them. Watching the stealthy lycanthrope creep up on the terrified stiff-necked English office worker hits a Londoner like myself in a tender place...
2: The Amityville Horror (1979)
![Go to your room, now. And never you mind that demonic pig [ Amityville Horror, 1979]](/images/stories/topten/distanthorror/distant_horror_amityville_horror_pigs_eyes.jpg "Go to your room, now. And never you mind that demonic pig [ Amityville Horror, 1979]")
So...you basically have a pretty good idea that you're living in a haunted house with some very malicious and evil spirits, and your parents are too broke to move out of it. You hear a noise down by the swimming pool in the back garden one night and go to investigate. It's nothing. You look up to your own bedroom - which you've just come from - and see a ghastly red-eyed pig demon looking out the window at you. Anyway, sleep well...
1: The Shining (1980)
Kubrick's one and only horror masterpiece is widely acknowledged to be a study of psychological terror rather than a traditional shock-fest, but when the murdered twin girls of Jack Nicholson's predecessor appear to his psychic son and beg him to play with them 'forever and ever and ever', my blood still turns to ice. True horror is most effective when placed in the banal domestic environments we screen out of our lives as uninteresting, and it's the generic and unthreatening tedium of the Overlook hotel's corridors that accentuates the terror they hide.
Also consider:
Deep Impact (1998)
The Exorcist III (1990)
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![For ever...and ever...and ever... [The Shining, 1980]](/images/stories/misc/promos/distanthorror.jpg "For ever...and ever...and ever... [The Shining, 1980]")
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Comments
The Sixth Sense had its moments too, especially the first time. We should have skipped the bonus material on the DVD since the director gave away several clues about things we didn't even notice.
The Others was nice. Especially with the boy and girl in bed while the girl was talking to somebody.
Poltergeist is another masterpiece that gave me sleepless nights in the eighties when I was still a kid. It's weird to look at it now. Not terrifying at all, but the fact that the two sisters died in reality makes it a bit sinister. And sad.
To conclude, one of my personal number ones is Sapphire and Steel. A late seventies SF/horror series from the UK about two supernatural entities hunting down something that appears to be cracks in time. It is full of ghosts of all kinds. What terrified me the most when it was aired was that the series gave simple plausible explanations for sightings. We lived in a very old house on a remote location ourselves and I couldn't watch anymore after a few episodes. I was very glad to discover the series on the web and DVD. If you never heard of the series and you are into real suspense horror (without chainsaws): do yourself a favor. These series are unique and timeless.
Morf
Good call! The whole time I was reading the article, I couldn't get the first appearance of the alien out of my head; you know, Gibson's walking through the house at night, and sees, for a split second, a sillhouette on a neighboring rooftop?
The famous moon movie had a face that got a rocket shot in the eye. It scared the hell out of me when I was 4 years old. Nosferatu was brilliant for the special effects depicting supernatural events, amongst other things. BS Potemkin showed the mutiny on a huge Russian cruiser years before. Sinister, with people eating food with worms and people without limbs. Metropolis seems a predecessor to 1984 in atmosphere. Nightmarish. Triumph des Willens is the famous propaganda movie by Lenie Riefenstahl about the Nazi party, horrifying to see that war machine of hate in close up just before hell completely broke lose. Wuthering Heights feels like a ghost story where it's not exactly one, it's like a ghost on its own.
Old movies tend to have something sinister on them, even comedies. The old B/W Wizard of Oz has always looked like a nightmare to me, even before Dorothy loses consciousness. Charlie Chaplin's The Kid (1921) with Jackie Coogan (Uncle Fester in his later carrier!) doesn't look like a comedy but pure tragedy. But it's beautiful. I guess it's the age of these movies.
Just one thing more. For some time it was custom to take pictures of diseased people. Dead children would i.e. be set standing up next to their living brothers and sisters as if they were still alive while it's very clear they're not. Many of those pictures can be found online. Distant horror.
I dunno, Omicron, I thought it was a bit of fun that people might enjoy reading. Sorry you didn't like it. If you check out the place that it was listed at fark.com there's one comment there where someone said that they were unfamiliar with most of the movies in the list and were now interested in checking them out. Great, these are good movies. Why not just ignore what disinterests you? You'll have more fun! :)
/shrug
Agree with you on this one. One of the scariest films I've ever seen and no blood or gore.
When she looks at him through the mist it makes your blood chill.
me. Later (Spoiler Alert) I learned that James Arness was
the human carrot Thing.
A door is opened and a huge hand reaches in, and the door
is slammed on it, severing it at the wrist. Everyone in the
audience jumped and emitted an audible "Ohhhhh."
Lovely movie in Black and White.
Funnily enough our writer Derek wrote something about this a few days ago at the following link: www.shadowlocked.com/index.php?option=com_content&view=article&id=163:horror-movie-fans-have-you-ever-done-this-to-a-friend&catid=48:movies-misc.
One of the 1970's horror movies, Vampire Circus had a gruesome scene, in which someone was trying to escape a village that had the Plague, and running through the woods stumbled across a decomposed body full of maggots.
The swimming pool scene in Poltergeist got to me, when the pool started filling with mirky water and skeletons trying to grab the woman swimming.
I think a lot depends on what state of mind you were in when you watched a movie, the time of day, and also whether you were on your own.
There is another good wide shot in FFC's "Bram Stoker's Dracula" when Dracula is surprised while feeding on Lucy on a stone slab in the back yard.
Don't forget the hallway shot of the first murder in "Texas Chainsaw Massacre" when Leatherface hits the fellow over the head with the mallet, drags him through the doorway and then slams the big metal door. **CLANGGG** Freaky!
I feel like there might be a good wide shot in "Pumpkinhead", too, but I can't remember exactly where.
Wide shots are the creepiest. They give the action a sense of dissociation which I'm guessing is in-line with the way murderers and psychopaths experience their acts of violence.
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